Here is an image of the giant cardboard Gandhi sculpture in progress. So far I have finished the head and the hands. Translating this from the small pepakura files has been a bit challenging as the program does not scale up as large as I need – so I’ve been using an overhead projector (the one that the head in the pictures is mounted on) – projecting transparencies onto 4×8′ sheets of cardboard, then using a band saw and matt knife to cut out the shapes. A hot glue gun is being used to attach all the pieces together. So far the results are amazing – I think this is going to be a very interesting interpretation of my Second Life avatar.

Over the past month I have begun to work on a number of projects as both artifacts and documents of the Salt March reenactment. As a 2008 Commissioned Resident Artist here at Eyebeam, part of the residency is a two person show here at Eyebeam that opens on June 21st, 2008. I will be featuring a number of new works in this exhibition, including the creation of a large scale, perhaps 15-20′ tall Gandhi statue created from the 3-D model of my MGandhi avatar as extracted from Second Life. The image above left shows my Gandhi figure after some basic processing in Blender (a great, free, open source 3-D modeling program). We then imported the object file into another program called Pepakura Designer, which is a wonderful software application from Japan (free to play with, $35 to use fully). Pepakura takes any 3-D file and unfolds it to create a flattened version that one prints out and assembles – something between working with paper dolls and building a model airplane. Take a look at their site, particularly the Gallery to see some amazing things made by the users of this program. Also note this link for a gallery page of “papercraft” work.

My plan is to translate the Pepakura information to large sheets of cardboard to assemble a large, monumental papercraft version of my Gandhi avatar. The image above right is my first test with the Gandhi model, printed on standard 8.5X11″ paper and assembled using an x-acto knife and tacky glue.  The final version will have likely double the number of polygons used for this prototype in order to allow for further detail.  This is the tricky part of translating the complex Second Life 3-D model to Pepakura as without first lowering the polygon count of the model we had several thousands of polygons to make the figure.  At this time finding a balance between effectively representing the figure and having the lowest possible number of polygons to allow for the successful physical completion of this piece with the material at hand and in the short time frame before the show.

Very excited about this work and others that I will be creating for my final showing opportunity here at Eyebeam. More details on other works soon.

Long delayed in writing about my experience on April 6th, 2008, walking in a march in “real life” sponsored by the NYC based “Satya Graha Forum”. The march was the inaugural event of a month of activities surrounding the production of “The Satyagraha”, the Phillip Glass opera from 1977 that was being revived by The Metropolitan Opera here in New York. The march involved starting at any one of four gathering points, walking a few miles and circling Union Square Park with all four groups converging on the Gandhi statue at the Soutwest corner of the park for a rally and speeches.

Keep in mind this was the day after completing the 240 miles of the reenactment in Second Life and on the treadmill – I was tired! All the same, it was quite an amazing experience to break out of my daily regimen of walking at Eyebeam (indoors), sleeping, getting up the next day and walking again. I made my way to Houston and 2nd avenue to gather with my fellow marchers. I immediately found myself feeling very self-conscious and shy in only the way that gathering with a group of complete strangers can do to me. Oddly, this was the complete opposite of my behavior and demeanor within Second Life during the course of the reenactment where I was completely at ease in approaching others in the online space to chat and invite them to be my “friends” and perhaps join me in walking.

Such irony, I know. After spending the better part of the month chatting away with strangers online and with visitors to Eyebeam, gathering with a group of individuals to walk in real life I found completely terrifying! It was not until we started to walk, about a group of 15 of us, to where I relaxed a bit. Here is a picture of me with my fellow marchers as we made our way down 2nd avenue.

When we arrived at Union Square park I struck up a conversation with an Englishman who, it turns out, was one of the puppeteers working on “The Satyagraha” opera. I told him about my Salt March reenactment online and on the treadmill – we had quite a nice chat and he introduced me to several others on the march who were also involved in the opera production. We all gathered at the Gandhi statue, pictured here:

We listened to a number of short speeches, including one by Phillip Glass and Mark Kurlansky, the author of “Salt: A World History” – a book that had been recommended to me by one of the visitors to my performance at Eyebeam. Here are some of those gathered at the rally holding their signs:

I found the experience of marching in RL after spending my month in virtual space to be an incredibly appropriate way to close out the reenactment. The event provided an ideal setting for my seguey back into my everyday life – it was also an occasion for deep contemplation and another way to seek connections with others. There was something magical in both realms – the interaction and the gathering with others to walk – both similar. It was interesting in both this real world march and over the course of my reenactment, we were asked by passersby “what are you protesting?” – in both contexts, we answered, “we are not protesting anything, we are marching for Gandhi, for peace”. Amazing.

Now one month to the day of the end of the reenactment and this walk on the streets of New York City. I must say, I still feel a great sense of accomplishment and fulfillment that I did not anticipate in conceiving this project. I truly feel as though I made a significant journey on many different levels. Funny too, I really miss my MGandhi avatar…I became quite attached to him over the course of the walk. I’ve had a few pleading emails from friends made in Second Life to not kill Gandhi! I’ve wandered, without the treadmill, a few times over the past month, mostly to revisit and take note of some of the places I have been to online – but I just don’t yet feel comfortable “walking” Gandhi in Second Life without actually, physically walking with him on the treadmill. Perhaps this will change over time.

I did a lecture last week at Brown University to Mark Tribe’s students in the Department of Modern Culture & Media. This was my first opportunity to lecture regarding the Gandhi reenactment – these speaking opportunities provide a forum to talk through the ideas and concepts regarding the work. The following is a blog post by ben who attended the talk – he makes some fairly spot on insights regarding the project:


Take a look:


These are not in any particular order at this time – watch the slide show – these are virtually all of the manually recorded screenshots I took during the march reenactment.

I’ve been very busy with all else in life since completing the reenactment two weeks ago.  I am currently in the process of creating extensive documentation to be located on my website – hope to have all up by Wednesday this week – http://www.delappe.net.    I am also in the process of developing a number of works for exhibition at Eyebeam in June at the end of my residency – these various works will all have been inspired by the Salt Satyagraha Online.  Stay tuned for more info as these works move forward.

Here are links to two stories published online in recent weeks.  The first one is from NYC24  produced by Columbia University – a nicely done piece by Elizabeth Stark who spent quite a bit of time with visiting with me while conducting the reenactment.  Especially of note the short video of me explaining the forward movement controller built into the treadmill: http://nyc24.org/2008/issue4/story4/

Another piece, more of a review, was published in the Brooklyn Rail: Critical Perspectives on Art Politics and Culture based on the writer’s visit to Eyebeam during the rather chaotic opening of the Feedback show:  http://brooklynrail.org/2008/04/artseen/joseph-delappe-gandhis-march-to-dandi